Monday, November 24, 2008

Project #3: Soliloquy X 3 (Soliloquy Times Three)

For this project I settled on using a concrete piece of writing, as I have yet to do that for a project. The algorithm I applied was one I studied a while back in philosophy courses, the algebraic process used in symbolic logic to turn arguments and statements into a sort of equation that can then be judged to be sound or unsound. I'm glad to have had a chance to utilize this relatively useless bit of knowledge, although I must admit that I was a little rusty on the process and had to convert these writings with my old textbook propped against the keyboard.

I chose to do three of Shakespeare's better known soliloquies - one each from Hamlet, Macbeth and Othello. I chose the Shakespearean soliloquies because they often contain rhetorical arguments and contradictions, so I felt they would plot well for a truth tree. (Nobody beats Shakespeare when it comes to talking in circles and dithering rhetorically.) I also enjoyed the consistency of using three pieces from the same author and have found these soliloquies to have significant dramatic impact.

The Hamlet soliloquy was, of course, "To be or not to be"...it seemed an obvious choice. The Macbeth soliloquy belonged is Lady Macbeth's famous monologue. From Othello, however, I departed from the unbroken soliloquies and chose to utilize Othello's soliloquy and then final conversation with Desdemona before he murders her -- I thought the dialogue element with his accusations and her protestations would be visually interesting.

After charting these three selections (which, of course, necessitated the intermediate step of my translation of them into plain speech before conversion), I selected film stills from famous adaptations of each work. I wanted to focus on a singular color element (in this case, the color red) to tie together the images and also to serve as a not so subtle visual reminder that these tales are also unified by violence.

I altered the images heavily in Photoshop, simplifying and reducing the complexity of line and detail so that the truth trees would stand out better. I also wanted them to be somewhat familiar and recognizable in some regard. Finally, the trees were superimposed overtop of these altered images and the final writings were completed.

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Othello



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Macbeth



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Hamlet

Sunday, November 16, 2008

Project #3: Pre-Planning

The algorithm requirement of this project gave me some pause, but I think I've decided to keep working the remix theme here and utilize a skill I thought had ended when my Symbolic Logic class did several years ago. I was thinking of picking some famous literary monologues/statements/passages and converting them into the strangely algebraic formulations of truth trees and the like. Essentially the structure used to convert arguments and statements into formulas is an algorithm, although this process is always formulated by hand and individually for each argument. That's about where I'm at now. I'll have to pick works and see if its possible to make something of this.